We are a creative studio for experimental storytelling.

Product as Process Part 2: The Video Sprint Prototype

We shot, edited and screened The Future of Art during the 5 days of the 2011 Transmediale festival in Berlin.

In the first post in this mini-series, we talked about the influence of code sprints on our video production process. In order to apply our learnings from these experiences we had to synthesize a broad knowledge base which includes design thinking, traditional video and film production, and even musical composition and improvisation techniques. One critical turning point came when we participated in Transmediale in 2011 and produced The Future of Art.

The Future of Art: An Immediated Autodocumentary (AKA Video Sprint)

At Transmediale we met Adam Hyde, the originator of the Book Sprint. Up until we saw how Adam was talking about his work we hadn’t settled on a convincing name for our process. My background in art theory and film history had birthed the almost-German-in-its-complexity mouthful “Immediated Autodocumentary”. We could tell Adam was onto something. Despite having been born more than a year ago, our process finally had a name.

Delivered in Beta: The Video Sprint Prototype

But we’re telling the story backwards here. Rewind to almost a year earlier. The first prototype for what would become the Video Sprint process occurred during a 2-day Open Design workshop at the Betahaus during Social Media Week Berlin 2010. We came into the workshop looking for an angle on how to interest workshop participants in our project Postcards from Berlin.

It quickly became clear there was a more interesting story at hand. This was our first encounter with Makerbots, laser cutters, bio-plastics and Arduinos. Maker culture and the Open Design movement inspired us!

We decided to focus on telling the bigger story behind the workshop. We hit the ground running on the second day, and shot, edited and wrapped the video within the next three days. Before long our video Delivered in Beta was posted on the popular design blog Swiss Miss. Within about a week the video had over 10,000 organic plays. Here’s what the long tail has looked like since:

Delivered In Beta – Vimeo Plays Statistics

Delivered in Beta has had over 33,900 organic plays to-date, including plays on Vimeo.com and embedded plays.

Needless to say that traffic spike got our attention. We wanted to learn how to get that kind of response again.

And we have.

The Future of Money – Vimeo Plays Statistics

The Future of Money, created for a presentation by Venessa Miemis at SIBOS 2010 (the world's biggest financial services conference) has had over 48,800 organic plays to-date, including plays on YouTube.com, Vimeo.com and embedded plays.

The Future of Art – Vimeo Plays Statistics

The Future of Art, created during the Transmediale media art festival in Berlin in 2011, is our most-viewed video so far, with over 58,000 organic plays including Vimeo.com and embedded plays. What makes this especially significant, is that while Delivered in Beta comes in at just under 9 minutes and The Future of Money at about 7.5 minutes, The Future of Art defies conventional web video wisdom with its duration of over 21 minutes.

In many ways the last 2+ years have been about repeating and refining the process. It’s not all about plays either – it’s about maintaining high quality while travelling at high speed. We’ve come to understand the mechanics of how to produce meaningful and sincere videos under the pressure of extreme deadlines. Inside the framework of the Video Sprint process we’ve prototyped various different transmedia formats under very different circumstances, from workshops and conferences, to trade shows, festivals and crowdfundings.

Most importantly, we’ve had the privilege to gain the trust of major brands, government culture organizations, non-profits, foundations, and individual crowdfunders in the process of making our own work – telling the stories we want to tell. This is the most rewarding aspect of our work and why we love what we do.

In our final post in this 3-part mini series, we’ll take a look at the key features of the Video Sprint process and reflect on the close relationship our work has with events.


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